BINGE 104.
Twenty on the Twelve
Available on vimeo 36 minutes.
Directed and photographed
by Ryan Cavataro
Written by Jon Saks
"BINGE 104. Twenty on the Twelve:" a cult classic is born.
NO
fooling around this is a straight ahead plunge into a deck of problems,
including: finding yourself, getting straight, producing a film, producing a
play, writing a script, and casting actors.
Writer
Saks and Director Cavataro manages to do a great job. Getting a clear and
coherent performance from actors in a story about a group of people who are not
living clear nor coherent lives.
The
writing and the directing bring out the contradictions in the characters and
the complications of their lives (always suggesting more than we see and
leaving us to fill in the blanks).
Jon Saks is not a pop writer. He doesn’t write for everybody, but the people
who like his work like it a lot. He has an off-beat vision and both the
technical skill as a scribe to write that vision, and insights into the human
heart that always seem to catch us by surprise.
The line producer (or producers) who
managed to get the people and equipment to those locations deserves a round of
applause
The
uses of various parks in the NYC area brings character to the performances. I
think we see Bryant Park and Union Square Park among the many locations.
In scenes shot against a large window it is
always hard to get the right contrast but Cavataro managed it with great skill.
Sometimes the over the shoulder shot or the two-shot from the side had a nose
peeking into the frame. But the hand held camera gives us a sense of immediacy
and raw reality.
I am
not sure which actors were in which scene. (An insert of the actors face during
the credit roll would help.)
The editing was clear and helped tell the
story. The camera work is very good. The audio sometimes had a little problem
with volume balance from scene to scene and sometimes the mic was just a bit
too far away from the speaker. The piece holds our attention and deserves a
larger audience.
And by the way I love the title.